Southbound: Photographs of and about the New South

September 10, 2021

– December 3, 2021

Stacy Kranitz, Island Road, 2010, from The Island series, Isle de Jean Charles, Louisiana

Shelby Adams, Preacher Dillard, 2012, Barwick, Kentucky, 13.5 x 9 inches, archival pigment print, courtesy of the artist

Sheila Pree Bright, #ATLisReady and Black Lives Matter Atlanta Chapter Protest Shootings of Philando Castile and Alton Sterling I, 2016, from the #1960Now series, Atlanta, Georgia

Rachel Boillot, 38669, Postmistress Ida, 2013, from the Post Script series, Sherard, Mississippi, 20 x 25 inches, archival pigment print, courtesy of the artist

Langdon Clay, Horse Tomatoes, 2003, from the Horse series, Sumner Mississippi, 17 x 25.5 inches, archival pigment print, courtesy of the artist

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Southbound: Photographs of and about the New South comprises fifty-five photographers’ visions of the South over the first decades of the twenty-first century. Accordingly, the 220 photographs in the exhibition offer a composite image of the region. The photographs echo stories told about the South as a bastion of tradition, as a region remade through Americanization and globalization, and as a land full of surprising realities.
Stacy Kranitz, Island Road, 2010, from The Island series, Isle de Jean Charles, Louisiana

Southbound: Photographs of and about the New South comprises fifty-five photographers’ visions of the South over the first decades of the twenty-first century. Accordingly, the 220 photographs in the exhibition offer a composite image of the region. The photographs echo stories told about the South as a bastion of tradition, as a region remade through Americanization and globalization, and as a land full of surprising realities.

Southbound: Photographs of and about the New South embraces the conundrum of its name. To be southbound is to journey to a place in flux, radically transformed over recent decades, yet also to the place where the past resonates most insistently in the United States. To be southbound is also to confront the weight of preconceived notions about this place, thick with stereotypes, encoded in the artistic, literary and media records. Southbound: Photographs of and about the New South engages with and unsettles assumed narratives about this contested region by providing fresh perspectives for understanding the complex mixture of history, geography, and culture that constitutes today’s New South.

Southbound: Photographs of and about the New South was organized by the Halsey Institute of Contemporary Art, College of Charleston School of the Arts. This project was funded in part by the National Endowment for the Arts.

© Windgate Museum of Art at Hendrix College